John B. Manos

A black and white illustration of an angel comforting a child by the sea, with religious undertones. The angel is holding a basket and has large wings.

OCTOBER 2, 2026 – THE HOLY GUARDIAN ANGELS.

Not a hair falls, not a sparrow drops, and still that is not enough: each soul that does not yet see the Father’s face has an angel assigned.

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A black and white illustration of a religious ceremony with clergy in robes, including bishops wearing mitres. A young woman stands before them, being blessed by a bishop holding a cross. The scene appears to be set in a church or cathedral, with an altar and religious figures observing the ritual.

OCTOBER 1, 2026 – ST. REMIGIUS, BISHOP.

Tall, serene, miracle-working, and tired of nothing, he faces Arians in the South and pagan Franks in the North—and hands the Church a crowned son.

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A black and white illustration of a saint meditating in a cave with a lion lying nearby. The scene is set in a rugged, mountainous landscape.

SEPTEMBER 30, 2026 – ST. JEROME, DOCTOR.

Jerome loves books to a fault, then hears the call, vows celibacy, and disappears into the Syrian desert. Four years later Rome wants a Bible.

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A black and white illustration of an angel in armor defeating a dragon, with heavenly figures observing from the sky. Catholic theme depicting good triumphing over evil.

SEPTEMBER 29, 2026 – ST. MICHAEL, ARCHANGEL.

Michael’s name is a war cry. He smote Lucifer, guarded Israel, rescued Moses’ body, and still shows up at the deathbed and the last trumpet.

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A person kneeling in prayer within a dimly lit church, holding rosary beads. The scene is monochromatic with religious and Catholic themes.

SEPTEMBER 28, 2026 – ST. WENCESLAS, MARTYR.

Raised by martyr-grandmother Ludmilla, Wenceslas claims a Christian kingdom from his pagan mother, farms the altar wine himself, and dies at midnight prayer in his brother’s house.

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A black and white illustration of two figures falling from a cliff into turbulent waters, with one figure appearing to be an angel. Depicts a scene of divine intervention and peril, reflecting Catholic themes of salvation and redemption.

SEPTEMBER 27, 2026 – SS. COSMAS AND DAMIAN, MARTYRS.

Twin doctors, trained in Syria, heal everyone and charge no one. Loved for their charity, they are too famous to hide when Diocletian’s persecution begins.

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A man kneels before a reclining figure in classical attire, surrounded by robed individuals with halos. The scene is set indoors with stone architecture and religious overtones, suggesting a Catholic theme.

SEPTEMBER 26, 2026 – SS. CYPRIAN AND JUSTINA, MARTYRS.

A pagan nobleman hires the city’s magician to break a Christian virgin. Prayer outranks the spells. Both suitor and sorcerer convert; both saints keep the same feast.

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A black and white illustration of a saint in religious attire leading children, holding a staff with a glowing orb. They are walking towards a city by the sea. The scene depicts a Catholic theme, likely of Saint Nicholas rescuing children.

SEPTEMBER 25, 2026 – ST. FIRMIN, BISHOP, MARTYR.- ST. FINBARR, BISHOP.

Firmin leaves Navarre with the Gospel, plants a church at Amiens, and takes the martyr’s crown there—Decius or Diocletian, the date is cloudy, the blood is not. Lochan of Connaught founds a school at Lough Eirc; the crowd turns a desert into Cork, built on stakes in the marsh. They called him Barr the White.

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A black and white illustration of a group of people, including women in traditional attire, gathered around a fireplace. A priest appears to be blessing or praying over the scene. The setting seems to be an old, rustic home with religious undertones.

SEPTEMBER 24, 2026 – THE BLESSED VIRGIN MARY OF MERCY.

Mercedarians collect alms—and sometimes offer their own freedom—to buy captives back. The feast thanks the Virgin who told them not to be afraid.

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A black and white illustration of a saintly man kneeling in prayer, with another saintly figure standing beside him. The setting appears to be a church or cathedral, emphasizing Catholic themes.

SEPTEMBER 23, 2026 – ST. THECLA, VIRGIN, MARTYR.

Thecla hears Paul at Iconium, forgets her beauty and her betrothed, and follows the Apostle. Theatre, lions, and fire all fail before her Spouse calls her home.

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