John B. Manos

A black and white illustration of a Catholic exorcism scene. A robed figure performs an exorcism on a person lying on the ground, surrounded by clergy and religious symbols. Books and a crucifix are present.

OCTOBER 5, 2026 – ST. PLACID, MARTYR.

At seven Placid is taken to Subiaco. At twenty-one he is sent to Sicily to build a monastery on his father’s gift. Year five ends in fire.

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A monk kneels in a cave with arms raised, near a crucifix and waterfall. Black-and-white illustration depicting Catholic devotion in a rugged natural setting.

OCTOBER 4, 2026 – ST. FRANCIS OF ASSISI.

A merchant’s son of Assisi envies the Man who had nowhere to lay His head, loses the family fortune, and gains a Father in heaven.

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A person dressed in a religious habit stands holding a rosary, praying in a dimly lit church interior. The scene is monochromatic with detailed architectural elements like windows and doors.

OCTOBER 3, 2026 – ST. GERARD, ABBOT.

Sent to the French court, Gerard is so edified by St. Denis that he goes home, closes his accounts, and comes back as a monk.

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A black and white illustration of an angel comforting a child by the sea, with religious undertones. The angel is holding a basket and has large wings.

OCTOBER 2, 2026 – THE HOLY GUARDIAN ANGELS.

Not a hair falls, not a sparrow drops, and still that is not enough: each soul that does not yet see the Father’s face has an angel assigned.

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A black and white illustration of a religious ceremony with clergy in robes, including bishops wearing mitres. A young woman stands before them, being blessed by a bishop holding a cross. The scene appears to be set in a church or cathedral, with an altar and religious figures observing the ritual.

OCTOBER 1, 2026 – ST. REMIGIUS, BISHOP.

Tall, serene, miracle-working, and tired of nothing, he faces Arians in the South and pagan Franks in the North—and hands the Church a crowned son.

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A black and white illustration of a saint meditating in a cave with a lion lying nearby. The scene is set in a rugged, mountainous landscape.

SEPTEMBER 30, 2026 – ST. JEROME, DOCTOR.

Jerome loves books to a fault, then hears the call, vows celibacy, and disappears into the Syrian desert. Four years later Rome wants a Bible.

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A black and white illustration of an angel in armor defeating a dragon, with heavenly figures observing from the sky. Catholic theme depicting good triumphing over evil.

SEPTEMBER 29, 2026 – ST. MICHAEL, ARCHANGEL.

Michael’s name is a war cry. He smote Lucifer, guarded Israel, rescued Moses’ body, and still shows up at the deathbed and the last trumpet.

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A person kneeling in prayer within a dimly lit church, holding rosary beads. The scene is monochromatic with religious and Catholic themes.

SEPTEMBER 28, 2026 – ST. WENCESLAS, MARTYR.

Raised by martyr-grandmother Ludmilla, Wenceslas claims a Christian kingdom from his pagan mother, farms the altar wine himself, and dies at midnight prayer in his brother’s house.

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A black and white illustration of two figures falling from a cliff into turbulent waters, with one figure appearing to be an angel. Depicts a scene of divine intervention and peril, reflecting Catholic themes of salvation and redemption.

SEPTEMBER 27, 2026 – SS. COSMAS AND DAMIAN, MARTYRS.

Twin doctors, trained in Syria, heal everyone and charge no one. Loved for their charity, they are too famous to hide when Diocletian’s persecution begins.

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A man kneels before a reclining figure in classical attire, surrounded by robed individuals with halos. The scene is set indoors with stone architecture and religious overtones, suggesting a Catholic theme.

SEPTEMBER 26, 2026 – SS. CYPRIAN AND JUSTINA, MARTYRS.

A pagan nobleman hires the city’s magician to break a Christian virgin. Prayer outranks the spells. Both suitor and sorcerer convert; both saints keep the same feast.

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